Die-Free Digital Cutting

Custom Cutting

Pocket folders, rigid boxes, displays, and packaging prototypes cut and creased straight from your file — no steel rule die, no tooling cost, no minimum quantity.

What digital cutting is

We cut on a flatbed digital cutting table. The sheet is held flat by vacuum while a computer-controlled head moves across it carrying whatever tool the job needs — a drag knife, an oscillating blade, a creasing wheel, a router bit, or a V-cut tool. The cut path comes directly from the vector artwork in your file.

Traditional die-cutting requires a physical die: a plywood board with steel rules bent into your shape, which costs hundreds of dollars and takes days to make. Digital cutting needs no die at all. Changing the shape means editing a vector path and pressing go.

Registration on printed sheets

An onboard camera reads register marks printed on the sheet and compensates for any stretch or skew that happened on press. That is how the cut lands exactly on the printed artwork even when paper has shifted slightly — critical for folders and packaging where a 1 mm error is visible.

Cutting capabilities

OperationWhat it does
Through-cutCuts the material completely — any contour or outline
Kiss-cutCuts the face material only, leaving the liner intact for peel-off labels
Crease / scoreRolls a channel so board folds cleanly without cracking
PerforationTear-away strips, coupons, and response cards
V-grooveAngled cuts in thick board for sharp 90° folded corners on rigid boxes
RoutingMilling acrylic, aluminium composite, and thick foam board
DrillingClean round holes for hangers, binders, and eyelets
Braille / embossingTactile marking on accessibility signage

Materials we cut

Pocket folders

Presentation folders are the job this equipment was made for. A folder needs a precise outline, crisp creases, glue tabs, business card slits, and often a shaped front flap — all of which used to require an expensive custom die. Now the shape is just a vector path, so a run of 25 folders costs the same per unit as a run of 250.

Configurations we build

The usual production path: print the flat sheet digitally or on offset → laminate → add raised spot UV with JetVarnish 3D → cut and crease digitally → fold and glue. Roughly 3–5 business days end to end.

Boxes & packaging

Because there is no die to pay for, packaging development stops being a gamble. You can hold a physical prototype of your box in your hands within a day or two, adjust the dimensions, and cut another — repeating until it is right, before committing to a production die.

Box styles

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Tuck-end cartons

Straight and reverse tuck folding cartons — the standard retail box for cosmetics, supplements, and food. Ships and stores flat.

🎁

Rigid two-piece boxes

Base and lid built from 2–3 mm greyboard, V-grooved for perfectly sharp corners, then wrapped in printed paper. Premium gifting and electronics.

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Magnetic closure boxes

Book-style hinged lid with concealed magnets. The highest-perceived-value option for luxury and subscription packaging.

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Mailers & shippers

Roll-end tuck-front and crash-lock corrugated mailers with tear strips — built for e-commerce unboxing.

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Inserts & trays

Fitted corrugated or foam inserts that hold the product still in transit. Cut to the exact contour of what goes inside.

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Displays & standees

Counter units, shelf talkers, and floor displays in corrugated or foam board, with interlocking assembly and no glue.

Digital cutting vs. traditional die-cutting

Digital cuttingSteel rule die
Tooling costNone$300 – $1,500 per shape
Lead time for new shapeHours3 – 10 business days
Minimum quantity1Typically 500+
Design revisionsFreeNew die each time
Speed at high volumeSlower per sheetMuch faster per sheet
Best forPrototypes & short runsLarge production runs
StorageDigital filePhysical die must be stored

They are complements, not competitors. Prototype and short-run digitally; move to a steel rule die once the design is locked and the volume justifies it.

Preparing your cut file

We need a vector file — Illustrator, PDF, or DXF — with the cut geometry on its own layers:

  1. Cut layer — a solid spot-colour stroke marking every through-cut path.
  2. Crease layer — a dashed stroke in a differently named spot colour for every fold.
  3. Perf and Kiss-cut layers — separate named spot colours if the job needs them.
  4. Artwork layer — the printed graphics, extended 0.125" past every cut edge for bleed.
  5. Keep all paths closed, with no duplicate or overlapping lines stacked on top of each other.
  6. Allow for material thickness on folded items — a 2 mm board box needs its panels sized accordingly or the lid will not fit.

No dieline yet? Send us the finished dimensions and what has to go inside, and we will build the dieline for you and supply a folded blank sample to check before production.

Frequently asked questions

Can you cut a single prototype?

Yes — that is one of the best uses for this equipment. One folder, one box, one display, cut from your file with no tooling charge at all.

How accurate is the cutting?

Within about ±0.2 mm on registered printed sheets. The camera reads register marks on every sheet and compensates for paper stretch, so the cut stays aligned to the artwork.

Do you fold and glue as well?

Yes. Folders and cartons can be delivered flat for you to assemble, or folded and glued ready to use. Rigid boxes are wrapped and assembled by hand.

Can you cut material I supply?

Usually, yes. Send a sample first so we can confirm thickness and tooling. There are limits on very hard or brittle materials.

At what quantity should I switch to a real die?

Generally past a few thousand pieces of a locked-down design, where the faster per-sheet speed of a die press outweighs the tooling cost. Below that, digital cutting is almost always cheaper and far more flexible.

Can you cut around an irregular shape in a photo?

Yes — contour cutting follows any vector path you supply, including a clipping path traced around a product image for stickers, standees, or shaped cards.

Got a shape in mind?

Send us the dimensions, the material, and what it needs to hold. We will build the dieline, cut a physical sample, and quote the production run.

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